coming full circle: my sixth-grade obsession meets my teen book club

Continuing on the young-adult fiction theme, it's been about six months since I blathered about my absolute favourite part of my job: teen book club. Our monthly gathering is still going strong, a small but dedicated group of young readers who love books, and love to talk about books. My posters for TBC invite teens to "hang out, eat snacks, talk about books, talk about life," and that pretty much sums up what we do.

Every few months, the group votes on the next four titles, chosen from a selection that I gather, as well as their own suggestions. Most young readers gravitate towards either realistic fiction or fantasy fiction, so I try to balance the two. I also include one or two classics on each list of choices, and they are surprisingly popular: this month we are reading S. E. Hinton's The OutsidersFahrenheit 451 is on the list for early 2015, and the group is clamouring for Catcher in the Rye.

Along with those classics, the next titles are: Dooley Takes the Fall by Norah McClintock, Ender's Game by Orson Scott Card, Loki's Wolves by Kelley Armstrong, Eleanor & Park by Rainbow Rowell, The Breadwinner by Deborah Ellis, Stargirl by Jerry Spinelli, The Golden Compass by Philip Pullman, and The Absolutely True Diary of a Part-Time Indian by Sherman Alexie.

I'm especially happy to be doing The Outsiders, a book I was obsessed with in sixth grade (or "grade six," as we say here). S. E. Hinton's classic had a huge influence on my writing and thinking about young-adult fiction. When I learned that Hinton was a woman, and wrote the book when she herself was a teenager... my whole world changed. Apparently teens today find the book no less relevant. Although I don't expect any of my TBC members to become obsessed with The Outsiders, one young man did mention he's read it five times.

By happy coincidence, there's an interview with Hinton in the current New Yorker, asking her about - what else? - the so-called debate on youth fiction. When Hinton was a teen, there was no youth fiction: her books carved out a niche in the classroom, other writers followed in Hinton's footsteps, and YA was born.

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